Taught by renowned violinist
Ilya Gringolts
In this course, internationally renowned violinist Ilya Gringolts guides us through the beauty and depth of Bach's Sonata No. 1 in G minor, BWV 1001. The four movements of this sonata are Adagio, Fuga, Siciliana, and Presto. Gringolts shares his extensive experience with the sonata discussing sources, period performance, baroque style, overcoming technical challenges, and discovering the unique musical quality of some of Bach's greatest works.
Introduction
Ilya Gringolts discusses the importance of looking at the original manuscript, talks about prominent recordings, and provides an overall structure of the sonata.
I. Adagio
The iconic opening of this movement leads us on a journey of harmonic discoveries. Gringolts explores how dissonances shape the music and create harmonic tension and release. He encourages us to explore freedom within the structure, utilizing timing and ornamentation to highlight cadences. In addition, Gringolts shares his advice regarding how to play chords, choosing fingerings and bowings, and exploring the manuscript to make informed musical decisions.
II. Fuga (Allegro)
In this lesson, Gringolts explores the structure, harmonic tension, and contrapuntal mastery of the Fuga. From the shaping of the subject at the movement's opening to the notated, free cadenza at the movement's conclusion, Gringolts approaches the movement with an inspiring musical conviction. He discusses playing chords with a baroque bow, using the bass line as a guide for a personal interpretation, and finding musical freedom within the technical challenges of the Fuga.
III. Siciliana
The Siciliana's rhythmic structure and its need for an independent musical exploration "beyond the score" created unique challenges. Gringolts guides us in understanding critical details that help us overcome these challenges through phrasing with the harmonic line and utilizing timing to expand musical ideas. Gringolts uncovers harmonic surprises in the movement and reminds us to highlight and enjoy them.
IV. Presto
Gringolts shares his advice on choosing tempo, bow stroke, and mapping the overall structure of the brilliant Presto. He discusses practice tips for pure intervals and coordination of the hands. Additionally, Gringolts discusses the polyphonic nature of the movement and the tradition of taking or not taking the repeat.
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Unlock Course →As a sought-after soloist, Ilya Gringolts devotes himself to the great orchestral repertoire as well as to contemporary works and he takes an interest in historical performance practices. He won the International Violin Competition Premio Paganini (1998) and is still the youngest winner in the competition’s history.
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