Course Syllabus
Violin pedagogue Demetrius Constantine Dounis (c. 1894-1954) is renowned for his prolific output of technical literature for the violin. Dounis's student David Nadien taught Nancy Zhou, who provides this expansive look at a variety of left-hand exercises taught by both Dounis and Nadien. Her key takeaway? The violin should feel like a natural extension of the body!
Frame A from Dounis's Daily Dozen, also called the "easy setting," teaches a balanced hand frame, finger independence, and contact points between the fingers and the violin. Nancy Zhou goes finger-by-finger and examines her positioning in detail.
The "difficult setting," or Frame B, requires the pinky to extend further than might typically be comfortable. In this lesson, Zhou explores how to find an efficient form for these more extreme positions.
This lesson targets left-hand finger flexibility and pliability – specifically, the ability of the fingers to lift independently. Zhou studies the intricacies of body rotation, how to move the violin along with the bow, giving attention to the right hand, and more to play these exercises efficiently.
These horizontal exercises train the gliding, or shifting motion, of a finger across a string. Zhou teaches rhythmic evenness, systematically with each finger, and shares tips on how to structure these into your practice routine.
In this exhaustive lesson on shifting, Zhou uses exercises built in thirds to develop finger independence, correct finger pressure, and command over rhythmic variants. In addition to detailed physiological demonstrations, she shares how to implement these exercises into a balanced daily routine.
Click here to download the course workbook PDF and see the full syllabus →