Course Syllabus
I. Allegro aperto – Adagio – Allegro aperto
The first movement of Mozart's fifth violin concerto opens with an Adagio interlude, quite unusual! Regardless, it's a tender moment to kick off a movement marked "aperto," meaning "open" like the aperture of a camera (though Mozart certainly wasn't thinking about cameras). Jackiw gives us excellent tools for demystifying vibrato, ornaments, articulation, and more.
Jackiw opens his lesson on this aria-like slow movement discussing rhythmic ambiguity, goes on to share how harmony impacts our performance, how to draw out Mozart's highly emotional writing, and many other gems.
III. Rondeau – Tempo di minuetto
The closing of Mozart's fifth violin concerto starts with a minuet of unhurried elegance. Jackiw highlights how important it is to play with the orchestra, not just in front of them! Mozart's Turkish and Romani caricatures border on fetishization, but Jackiw conveys where they come from and how we can interpret them in an educated way, among much more.
The cadenzas and eingangs (cadential interludes in the third movement) shine the spotlight on the violinist, yet they should always invite the orchestra back in. Jackiw explains how this can be done and performs his own renditions.
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