Impartido por el renombrado guitarrista
Daniel De Arakal
Ali Arango comparte consejos para tocar escalas rápidas en reposo. <br><br>La lección comienza con las reflexiones de Arango sobre los movimientos físicos de los dedos, la mano y la muñeca y cómo ha cambiado su enfoque a lo largo de los años. A continuación, Arango explica la diferencia entre dos tipos distintos de apoyos: clásico y picado.<br><br>Después de hablar de cómo abordar el cruce de cuerdas, Arango demuestra cómo estudiar las escalas con ejemplos musicales que incluyen los Estudios 7 y 12 de Villa-Lobos, el Concierto de Aranjuez, el Zapateado de Rodrigo, el Concertino de Bacarisse y, por último, el Zyryab de Paco de Lucía. (P.D. ¡No se pierda la actuación especial hasta el final!)
The Guitar & Body
In this second lesson, you will be learning about the most valuable tool available to the classical guitarist - the right hand. We will be covering the terminology of the fingers, the different types of plucks and to execute and apply them to the instrument.
The Right Hand
In this lesson, we are going to talk about an element that is fundamental, not only to guitarists, but to every musician in the world. This is, of course, the language of music itself. We’ll be discussing how music is written, how sound, duration, and silence are notated, and how to execute notated music on the guitar.
The Language of Music
Take the learnings you have just absorbed in the previous lesson and put them to work here in "The Practice Room." In this first session, we will be looking at basic rhythms.
Practice Room 1: Basic Rhythms
Take the learnings you have just absorbed in the previous lesson and put them to work here in "The Practice Room." In this second session, we will be looking at mixed rhythms in 4.
Practice Room 2: Mixed Rhythms in 4
Take the learnings you have just absorbed in the previous lesson and put them to work here in "The Practice Room." In this third session, we will be looking at mixed rhythms in 3.
Practice Room 3: Mixed Rhythms in 3
In this fourth lesson, we will be discussing the names of the strings and how they appear on the musical staff. We will also explain how to play these notes in performance and move from one to another in an effective manner.
The Open Strings
Take the learnings you have just absorbed in the previous lesson and put them to work here in "The Practice Room." In this fourth session, we will be looking at the open treble strings.
Practice Room 4: Open Treble Strings
Take the learnings you have just absorbed in the previous lesson and put them to work here in "The Practice Room." In this fifth session, we will be looking at the open bass strings.
Practice Room 5: Open Bass Strings
Take the learnings you have just absorbed in the previous lesson and put them to work here in "The Practice Room." In this sixth session, we will be looking at arpeggios.
Practice Room 6: Beginning Arpeggios
In this lesson, we are going to talk about the structure and function of the left hand, terminology that describes the fingers and frets, and cover a few do’s and don’ts in the fretting of notes.
The Left Hand
In this sixth lesson, we will be applying things we learned in previous lessons about the structure and function of the left hand to the playing of written notes on the first two strings. In the Practice Room, we’ll be applying our understanding of these pitches to our first performance of classical repertoire.
Notes on the First & Second Strings
Take the learnings you have just absorbed in the previous lesson and put them to work here in "The Practice Room." In this seventh session, we will be looking at notes on the 1st and 2nd strings.
Notes on the Third & Fourth Strings
In this lesson, you are going to learn the first few fretted notes on the third and fourth strings, as well as what they look like on the staff. The notes we are learning in this lesson are in the first position, meaning that they can be played while your index finger is over the first fret.
Practice Room 8 - 9: New Strings & Rests
Take the learnings you have just absorbed in the previous lesson and put them to work here in "The Practice Room." In this eighth and ninth session, we will be looking at notes on the 3rd and 4th strings as well as rests.
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Unlock Course →As an established scholar, pedagogue, and performer, Daniel De Arakal has made it his goal to expand access to the classical guitar, its immense repertoire, and its rich history around the world.
leer la biografía completa →Previsualiza nuestra selección de cursos a continuación. Con lecciones que cubren fundamentos, entrenamiento técnico, estilo e interpretación, no encontrarás una experiencia de aprendizaje más completa y enriquecedora en ningún otro lugar.
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