By
Fernando Sor
Fernando Sor's "Study Op. 29 No. 22" is a notable piece in the classical guitar repertoire. Sor, a Spanish guitarist and composer of the late 18th and early 19th centuries, is highly regarded for his contributions to guitar music and technique. This study, like many of Sor's works, combines technical challenges with melodic beauty, providing guitarists with an opportunity to refine their skills while delivering a captivating musical performance.
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by:
Mak Grgic
In this lesson Slovenian guitarist Mak Grgic offers an in depth look at Fernando Sor's Study Op.29 No.22, also known as study number 18 from Andrés Segovia's renumbering. After clarifying the etude naming conventions and the many editions published, Mak talks about everything from legato, voicing, and harmony, to breathing and coloristic playing. Several key ideas appear repeatedly in the lesson, such as the importance of Sor’s decision to write this piece in E-flat, and how breathing while playing helps dictate the start and end points of phrases. Mak analyzes the ways in which Sor manipulates tension through his chord progressions, and performs the etude in various ways to demonstrate interpretation options. Finally, Mak imagines the etude as an orchestral work to extract colors from his guitar in creative and mesmerizing ways. By the end of the lesson you'll have the wisdom you need to practice this piece effectively.
Preview Lesson →The scores found in this library each accompany one of the 100s of courses on tonebase, all taught by renowned classical guitarists.
Preview our in-depth lesson on this particular piece and start a 14-day free trial to access all tutorials and scores.
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